Scenography as a Territory - Paolo Rudelli
2336
post-template-default,single,single-post,postid-2336,single-format-standard,bridge-core-3.1.3,qode-page-transition-enabled,ajax_fade,page_not_loaded,qode-page-loading-effect-enabled,,paspartu_enabled,paspartu_on_top_fixed,paspartu_on_bottom_fixed,qode_grid_1300,qode-theme-ver-30.2,qode-theme-bridge,disabled_footer_top,disabled_footer_bottom,qode_header_in_grid,qode-wpml-enabled,wpb-js-composer js-comp-ver-7.3,vc_responsive

Scenography as a Territory

The Athens School of Fine Arts 19.06.2013

Scenography as a Territory

Scenography as a Territory

At the beginning is Void and Darkness.
It is not yet a Topos. It is an Utopia.

An Utopia where the characters of the play are revived, restructured and projected into space and time.

In the Darkness progress is made in the way of a sculptor who instead of adding he removes material and thus allows form to appear.

– Thanks to Dimitris Kraniotis for English translation –

Paolo Rudelli

Theme of Scenography Work Shop on The Athens School of Fine Arts taking on in march/april 2014

 

 

No Comments

Sorry, the comment form is closed at this time.